The older archives (>10 years old) have been substantially recovered -- more than 23,800 files' worth -- and are now reachable through the search engine and via file download. Email here if you have any questions.
Your support is essential if the service is to continue, there are bandwidth bills to pay every month and failing disk drives to replace. Volunteers do the work, but disk drives and bandwidth are not free. We encourage you to contribute financially, even a dollar helps. Click here to donate.
Welcome to the new Radio4all website! If you cannot log in, you may need to reset your password. Email here if you need additional support.
 
Program Information
All Things Cage
Weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world.
Weekly Program
Weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world.
 Wave Farm/WGXC 90.7-FM  Contact Contributor
Dec. 8, 2023, midnight
"All Things Cage" is a weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world. If youd like to propose a guest or a topic for a future program, write directly to Laura at lkuhn@johncage.org.Laura Kuhn presents the first recording of John Cages Europera 5, preceded by her reading Recollections of the Premiere Performance by Yvar Mikhashoff. This recording of Europera 5 was produced by Brian Brandt and released on the Mode Records label as Mode 36 in 1995, with performers Yvar Mikhashoff, Martha Herr, Gary Burgess, Jan Williams, and Don Metz. Europera 5 is the last and most diminutive of Cages operas " preceded by Europeras 1 & 2 (1984-1987) and Europeras 3 & 4 (1991) " and was instigated by pianist Yvar Mikashoffs desire for a small, more practical and portable, and more easily performed work in the series, which had its premiere in Buffalo at the North American New Musical Festival on April 12, 1991.
James Pritchett is my first guest on All Things Cage who almost doesnt need an introduction, as hes the author of The Music of John Cage, published by Cambridge University Press in 1993, well known to Cage enthusiasts and still the only comprehensive survey of all of Cages music. But his earlier doctoral dissertation, The development of chance techniques in the music of John Cage, 1951-1956, completed in 1988 for NYU, is every bit as useful, being a detailed study of the processes Cage used in his seminal chance compositions. James and I talk a bit about his research at Cages NYC loft in the mid-1980s, and a lot about his latest project, writing the liner notes for a new CD due out in early summer from Mode Records that features a little-known arrangement by Morton Feldman of Cages Cheap Imitation for flute, glockenspiel, and piano. And, courtesy of Mode Records, well listen to a movement!
The late Pulitzer Prize-winning biographer Kenneth Silverman once described his "Begin Again: A Biography of John Cage" (Knopf, 2012) as the hardest book hed ever written. This was because, as he put it, pick up any rock and theres John Cage! Indeed, Cage was not only a world-renowned composer, numbering among his compositions the still notoriously tacet 433, but a ground-breaking poet, a philosopher, a chess master who studied with Marcel Duchamp, a macrobiotic chef, a devotee of Zen Buddhism, a prolific visual artist, and an avid and pioneering mycologist. He was also life partner to the celebrated American choreographer, Merce Cunningham, for nearly half a century, and thus well known in the world of modern dance. Episode 147. EVERGREEN

James Pritchett Download Program Podcast
Weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world.
00:59:24 1 Dec. 8, 2023
Produced for Wave Farm in the Hudson Valley in New York.
  View Script
    
 00:59:24  128Kbps mp3
(142.6MB) Stereo
386 Download File...